ARTICULT #35 (3-2019) July-September
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ARTICULT #35 (3-2019) July-September
| THEORY OF ART | |
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N.V. Zahurska
Generative anthropology and generative art: unpredictability and unparticipation in the post-millenniarism as post-postmodern read online / download pdf |
6-11 |
| HISTORY OF ART | |
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E.A. Khripkova
The Book of the Prophet Ezechiel in the iconographic program of fresco cycle in the church of St. Mary and St. Clement in Schwarzrheindorf read online / download pdf |
12-47 |
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E.I. Kononenko
Complex of Bayazid II in Edirne: waiting for the “great style” of Ottoman architecture read online / download pdf |
48-62 |
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E.E. Agratina
Pierre-Jean Mariette. The connoisseur and art patron in the 18th-century European artistic milieu read online / download pdf |
63-70 |
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O.F. Batyrshina
Continuity and divide in the 20-th century Estonian visual art read online / download pdf |
71-81 |
| CONTEMPORARY ART | |
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A.A. Zhitenev
Apology of freedom in the correspondence of artists with the “A-Ya” magazine read online / download pdf |
82-90 |
| VISUAL ARTS | |
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E.A. Rusinova
Conditionally motivated music in the structure of a polysemantic film image read online / download pdf |
91-96 |
| CINEMA | |
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A.I. Karliavina
Anti-religious movies in soviet propaganda in 1920-s read online / download pdf |
97-104 |
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S.A. Filippov
When Did the Cinema Go Sound? read online / download pdf |
105-113 |
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Ia.A. Parkhomenko, I.V. Kononov
What Walter White afraid? Structural features of the main conflict of the series “Breaking bad” read online / download pdf |
114-129 |
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V.A. Kolotaev, A.V. Markov
Variety of problematizing cinema identity in Russian film studies read online / download pdf |
130-145 |
| HISTORY AND THEORY OF CULTURE | |
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D.N. Vetrov
A fashion model’s body as reducible to simulacrum in “The Neon Demon” film read online / download pdf |
146-152 |
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SUMMARY
read online / download pdf |
153-161 |
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