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 ARTICULT #54 (2-2024) April-June 
  
 
| THEORY OF ART | |
| M.A. Balandina The metodology of videoart studies in Art History in Russia read online / download pdf | 5-16 | 
| HISTORY OF ART | |
| J.G. Voinova The Image of the “Red Horseman” in Soviet Propaganda Art. Origins and Transformations read online / download pdf | 17-29 | 
| A.V. Popova Romanticism and constructivism in the Polish theatre of 1920-1930s read online / download pdf | 30-40 | 
| E.V. Gribonosova-Grebneva The Book Reality: Illustrator Vladimir Salnikov (1948-2015) read online / download pdf | 41-49 | 
| CINEMA | |
| M.S. Stebackov “Light Prop for an Electric Stage” as a search for the new form of cinema read online / download pdf | 50-60 | 
| N.A. Tsyrkun Crime and Punishment in Woody Allen's films and F.M. Dostoevsky's novels: adaptation and transfiguration read online / download pdf | 61-72 | 
| HISTORY AND THEORY OF CULTURE | |
| T.V. Azarova The image of the collective past in the Palio di Siena festival-competition read online / download pdf | 73-81 | 
| METHODOLOGY | |
| T.V. Kruvko The representation of posthuman subjectivity in modern science-fiction on the example of the TV series “Love. Death & Robots” read online / download pdf | 82-95 | 
|  | |
| SUMMARY read online / download pdf | 96-101 |