ARTICULT #35 (3-2019) July-September

ARTICULT-35

ARTICULT #35 (3-2019) July-September

THEORY OF ART
N.V. Zahurska
Generative anthropology and generative art: unpredictability and unparticipation in the post-millenniarism as post-postmodern
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6-11
HISTORY OF ART
E.A. Khripkova
The Book of the Prophet Ezechiel in the iconographic program of fresco cycle in the church of St. Mary and St. Clement in Schwarzrheindorf
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12-47
E.I. Kononenko
Complex of Bayazid II in Edirne: waiting for the “great style” of Ottoman architecture
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48-62
E.E. Agratina
Pierre-Jean Mariette. The connoisseur and art patron in the 18th-century European artistic milieu
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63-70
O.F. Batyrshina
Continuity and divide in the 20-th century Estonian visual art
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71-81
CONTEMPORARY ART
A.A. Zhitenev
Apology of freedom in the correspondence of artists with the “A-Ya” magazine
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82-90
VISUAL ARTS
E.A. Rusinova
Conditionally motivated music in the structure of a polysemantic film image
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91-96
CINEMA
A.I. Karliavina
Anti-religious movies in soviet propaganda in 1920-s
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97-104
S.A. Filippov
When Did the Cinema Go Sound?
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105-113
Ia.A. Parkhomenko, I.V. Kononov
What Walter White afraid? Structural features of the main conflict of the series “Breaking bad”
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114-129
V.A. Kolotaev, A.V. Markov
Variety of problematizing cinema identity in Russian film studies
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130-145
HISTORY AND THEORY OF CULTURE
D.N. Vetrov
A fashion model’s body as reducible to simulacrum in “The Neon Demon” film
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146-152

SUMMARY
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153-161