ARTICULT #34 (2-2019) April-June

ARTICULT-34

ARTICULT #34 (2-2019) April-June

THEORY OF ART
T.E. Fadeeva
Corporeality in the paradigm of transhumanism and postfordism
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6-17
HISTORY OF ART
Y.S. Reunov
Weapons of Ancient Egypt: the military and the sacred. Part 1
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18-31
E.S. Ershova
Types and symbolic meaning of ancient egyptian rewards in the New Kingdom
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32-40
L.A. Belyaev
“Ladder of life”. Entertaining auxology in Russia at the beginning of the 18th century and a series of tiles from the new Jerusalem
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41-58
A. Novik
“Paris is good, but not that good as St. Petersburg…”: Russian reception of circular panoramas of Paris within the context of Russian-French relations in the first half of the 19th century
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59-68
CONTEMPORARY ART / VISUAL ARTS
E.V. Zhagun-Linnik
Problematization of artistic aspects of glitch art in contemporary glitch studies
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69-78
CINEMA
K.A. Tanis
Trophy Films in the USSR during the 1940s and 1950s: to some practices of film exhibition
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79-88
V.A. Mikheev
Review of the cinematography of the Republic of Korea of the 50s-70s of the twentieth century and the influence of the social and political conditions prevailing in the country during this time period on It
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89-102
HISTORY AND THEORY OF CULTURE
P.A. Voron (Sklyadneva)
The homestead of mordvinov as an artistic commune
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103-107
А.P. Salienko
An artist figure in prose of 1920s. “Woodprint” by B.Lavrenev (1928) and “Unknown artist” by V.Kaverin (1931)
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108-118
METHODOLOGY
E.V. Gladkikh
The unrealized projects of the Moscow Museum of applied sciences in the first Alexander garden: the materials towards a history of Russian architecture of the 1870th
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119-145
G.E. Abbasova
“The Art of Soviet Turkmenia” at the Museum of Fine Arts in Moscow. 1935. The lost exhibition
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146-155

SUMMARY
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156-164