ARTICULT #27 (3-2017) September-October

ARTICULT-27

ARTICULT #27 (3-2017) September-October

THEORY OF ART
N.A. Hrenov
Posttotalitary period in the history of russian cinema: religious tradition and mass mentality. Second part
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6-18
S.A. Filippov
Foreground Composition and Linear Reception of Pictures
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19-33
HISTORY OF ART
A.Ye. Zavyalova
“Toy, puppet, mysterious world”: Images of puppets in the works of Alexander Benois
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34-39
E.V. Gribonosova-Grebneva
The art of Kuzma Petrov-Vodkin at Italian and other international exhibitions. To the international perception of Russian art in 1910–1930s.
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40-49
E.I. Vinogradova
Subjectivism and disgrace. Venice Biennale of 1956-1977 in the Soviet cultural press
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50-54
CONTEMPORARY ART
S.Y. Schtein
Ontology of “contemporary art”
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55-72
A.S. Shuvalova
“Celebration? Realife”: installations by Marc Camille Chaimowicz
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73-88
CINEMA
S.A. Smagina
Criticism of the “sexual issue” in the Soviet cinema of the second half of the 1920s - early 1930s.
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89-94
M.V. Kaplun
“Babette's Feast” by Gabriel Axel: to the question of genre
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95-98
THEORY AND HISTORY OF CULTURE
A.A. Arustamova
The New America of Alexander Blok and Antonin Ladinsky
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99-105
J.V. Pogrebnaya
The features of chronotope in Nabokov’s sonnets
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106-112
D.I. Makarov
Christian subtexts in Annibale Rama by P. Volponi
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113-122
A.V. Markov, S.A. Martianova
Decay of life as art rule in the middle-level Russian idealism
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123-133
PSYCHOLOGY OF CULTURE AND ART
T.D. Martsinkovskaya, V.R. Orestova
Aesthetic paradigm in a transitive world
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134-143
PROBLEMS OF METHODOLOGY
E.V. Zhagun-Linnik
The understanding of aesthetical aspect in glitch art
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144-150

SUMMARY
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151-160